Jual ALAT MUSIK

Dijual Ampli Head Cabinet Russel type Masterpiece 150 watt
Price list $212 / rp 2,1 jt ( bit nego )

gitar Godin G25 made in Usa rp 1,7 jt (nego)

Gitar fender Jeff Beck /color Red
Rp1,1 jt(nego)

Pic : [IMG]http://i50.tinypic.com/n4jfi1.jpg[/IMG]

cp: 081546000819
98575975

Planet X live in Russia

Planet X Biography

Planet X is an instrumental rock/progressive metal supergroup, which began as an evolution of keyboardist Derek Sherinian's 1999 debut solo album, Planet X. Since 2000, they have released three studio albums and one live album, each with a variety of guest musicians and oft-changing lineups.

Planet X's Best Songs

• 1. Desert Girl
• 2. Alien Hip Hop
• 3. Instrumentality
• 4. The Hero-Inn
• 5. Pay Your Dues
• 6. Matrix Gate
• 7. The Thinking Stone
• 8. Silent Rage
• 9. Pain
• 10. Space Foam

Tony Macalpine : guitars
Derek Sherinian : Keyboards
Virgil Donati : Drums
Kevin Freeby : Bass (add-player)

Planet X Discography

Planet X albums.

• Quantum - 18/05/2007 (InsideOut Music/DE)
• MoonBabies - 29/07/2002 (InsideOut Music/DE)
• Universe - (Megahard Records/BR)

the links :
http://rapidshare.com/files/321994288/Planet_X_live_in_Russia.part1.rar
http://rapidshare.com/files/322156629/Planet_X_live_in_Russia.part2.rar
http://rapidshare.com/files/322156630/Planet_X_live_in_Russia.part3.rar
http://rapidshare.com/files/322469843/Planet_X_live_in_Russia.part4.rar
http://rapidshare.com/files/322863510/Planet_X_live_in_Russia.part5.rar
http://rapidshare.com/files/323081229/Planet_X_live_in_Russia.part6.rar
pass in comments

Dream Theater Live- festival 2009

dream Theater live in Russia
total time 46:31

links :
http://rapidshare.com/files/320393725/Dream_Theater_-_Festival_09.part1.rar
http://rapidshare.com/files/321160490/Dream_Theater_-_Festival_09.part2.rar
http://rapidshare.com/files/321619985/Dream_Theater_-_Festival_09_.part3.rar

Sibelius 4.0

Jika salah satu notasi musik-paket dapat mengklaim menjadi standar industri, Sibelius itu. Awal yang sederhana pada platform Acorn tidak menghalangi banyak komposer dan arrangers dari itu memilih mendukung kompetisi yang lebih mapan, dan karena pelabuhannya ke Windows pada tahun 1998 (dan Mac pada tahun 1999) ini menjadi masalah standar dan profesional baik di kalangan akademisi.

Tidak sulit melihat alasannya. Perhatian terhadap detail dalam setiap aspek desain dan format nilai berada di luar menegur. Hasilnya adalah sebuah aplikasi yang tidak hanya memberikan pengguna teliti kontrol atas proses notasi, tetapi juga membuat proses yang luar biasa efisien.

Ada tiga bidang utama yang memfasilitasi hal ini. Salah satunya adalah tata letak yang hebat otomatis. Sibelius memberikan catatan untuk menampilkan dan akan melakukannya dengan jelas dan menarik, apakah mereka melodi dengan lirik atau kompleks polyrhythms dan catatan cluster. Bar secara otomatis memperluas dan kontrak yang sesuai dengan tata letak halaman secara keseluruhan, dan perangkat lunak bahkan akan menyelaraskan bertumpu ke bagian bawah halaman untuk membantu dengan halaman berubah.

Ada beberapa daerah di mana tata letak otomatis membutuhkan sedikit bantuan, seperti ketika catatan atau tanda lainnya pada satu garis paranada bentrok dengan nilai pada paranada di atas atau di bawah, atau ketika tanda-tanda dinamika berbenturan dengan catatan rendah. Agak mengecewakan ini tidak diperbaiki secara otomatis, tetapi ini juga menyoroti Sibelius yang lain 'kekuatan: penyesuaian hampir tak terbatas. Jika Anda tidak menyukai posisi sesuatu, apakah itu catatan, dinamis tanda, mencegah atau sistem lengkap, cukup tarik ke lokasi baru. Penyesuaian tidak terbatas pada satu benda bergerak baik. Sibelius 'otomatis aturan untuk tata letak yang tersedia untuk mengedit, sampai ke posisi default untuk waktu tanda tangan dan kelengkungan slurs. Ada alternatif dukungan untuk catatan kepala, free irama bar, latihan tanda, ossia staf, gitar TAB, akordeon meraba - pada dasarnya, segala sesuatu yang kita dapat memikirkan ada, ditambah banyak lagi selain.

Ketiga unsur kunci untuk Sibelius 'kesuksesan adalah antarmuka pengguna yang elegan. Kemampuan untuk menarik benda ke lokasi yang baru dapat mengarahkan Anda untuk berpikir ini adalah mouse-driven interface. Tentu saja, mouse yang digunakan baik, tetapi kekayaan jalan pintas keyboard yang memberikan Sibelius yang kilat-cepat operasi. Klik surat dari A ke G untuk menambahkan catatan, S untuk menambah cercaan, H untuk sebuah jepit rambut crescendo. Jumlah catatan pad memilih panjang, aksidensi, dasi, staccato aksen dan simbol-simbol, dan nomor virtual pad muncul sebagai jendela layar berfungsi sebagai bantuan memori dan untuk pengguna notebook. Catatan masukan juga dimungkinkan dengan mouse, melalui MIDI keyboard atau dengan mengimpor sebuah file MIDI. Dari metode ini, keyboard MIDI terbukti paling efisien. Sibelius 'file MIDI impor akan mendapat manfaat dari beberapa quantise dan perhatikan pilihan penghapusan tumpang tindih - kami menemukan bahwa data yang diimpor cenderung menghasilkan kompleks, berantakan skor yang lebih mudah untuk mengulang secara manual daripada merapikannya.

Setelah skor sudah mengasah desain untuk mendekati kesempurnaan, versi 4 berkonsentrasi terutama pada fitur-fitur tambahan. Namun, hal ini tidak menghentikan mereka menjadi keduanya dengan baik dijalankan dan sangat menguntungkan. Puncak adalah Dynamic Parts. Mampu mengekstrak bagian dari nilai penuh adalah manfaat yang melekat notasi apapun perangkat lunak, namun Sibelius 4 mengambil konsep panggung ini lebih jauh. Daripada ekstrak bagian, mengedit dan menyimpannya sebagai file yang berbeda, sekarang bagian tertanam dalam file utama, yang berarti bahwa setiap perubahan yang dibuat pada skor segera tercermin dalam bagian. Demikian pula, catatan perubahan nilai-nilai dan menambahkan dan menghapus objek di bagian melakukan hal yang sama pada skor. Namun, mengubah posisi objek di bagian tidak mempengaruhi skor. Dengan demikian, sangat memungkinkan untuk mengoptimalkan skor untuk konduktor dan bagian untuk para pemain - bar kompleks mungkin berkembang di bagian tetapi mereka tetap kompak dalam skor.

Para guru akan senang di Worksheet Pencipta, sebuah koleksi lebih dari 1.700 bantu pengajaran termasuk notasi dan teori musik tes, latihan dan lembar kerja kreatif yang dirancang khusus untuk kunci Inggris Tahap 3 dan GCSE siswa. Lembar jawaban yang tersedia di mana berlaku, beberapa lembar kerja yang dihasilkan secara acak pertanyaan dan mereka semua dapat diedit dengan Sibelius 'skor biasa-alat tulis.

Juga pemutaran video yang baru untuk penilaian untuk gambar. Pratayang video disetarakan dengan pemutaran MIDI, dan menyeret pelacak pemutaran scrub melalui video. Hitpoints dapat ditambahkan pada poin timecode tertentu untuk membantu dalam berbaris isyarat audio visual yang. Sayang tidak ada fasilitas untuk mengatur tempo secara otomatis ke baris yang hitpoint dengan irama tertentu, walaupun - pada saat ini, trial and error adalah metode tercepat. Soundtrack video dapat dicampur dengan built-in Native Instruments synth, yang melakukan pekerjaan yang baik bermain kembali skor.

Sibelius 'kedalaman berarti dapat mengambil berbulan-bulan untuk menguasai, tetapi sangat Flash tutorial pemula akan berarti dan berjalan dalam sehari. Software diduga mahal untuk produk spesialis kaliber ini, dan pendidikan, situs lisensi dan diskon lintas-kelas yang tersedia. Jika anda serius tentang nilai produksi, itu layak investasi.

links

http://rapidshare.com/files/318313051/Sibelius_4.0.rar

jika ingin membeli software sibelius 5 DVD dengan fitur yang jauh lebih lengkap...bisa hubungi saya di 081546000819 ...proce $3(Rp 30.000)

Jeff Beck -The Best

Salah satu Gitaris dunia...yang terkenal dengan album instrumental rock yang khas...juga menjadi acuan gitaris2 dunia dekade 80-90an sampai musisi sekelas joe satriani dan steve vai
jika ingin beli live performance dvd...atau avi bisa order ke saya di notband.com@gmail.com atau di 98575975 dan 08154600819...price $4 (30rb)...
sampel karya nya di bawah ini :
http://rapidshare.com/files/319968417/jeff_beck-the_best_and_live.rar

Beck grew up in Wallington, England. His mother’s piano playing and the family’s radio tuned to everything from dance to classical made sure Beck was surrounded by music from a young age.

“For my parents, who lived through the war, music was a source of comfort to them. Life was tense and music helped them forget about their troubles. I’m sure that made an impression on me,” recalls Beck. “I was really small when jazz broke through in England and I can still remember sneaking off to the living room to listen to it on the radio—much to my parent’s disapproval.”

Inspired by the music he heard, it wasn’t long before Beck picked up a guitar and began playing around London. He briefly attended Wimbledon’s Art College before leaving to devote all of his time to music. Beck worked as a session player, with Screaming Lord Sutch - the British equivalent to Screaming Jay Hawkins - and the Tridents before he replaced Eric Clapton as the Yardbirds’ lead guitarist in 1965.

Beck left the band in 1967 and formed The Jeff Beck Group, which featured Rod Stewart on vocals and Ron Wood on bass. The band released two albums - “Truth” (1968) and “Beck-Ola” (1969) - that became musical touchstones for hard rockers in the years to come.

Stewart and Wood left to join the Faces and Beck disbanded the group until 1971 when he formed a new version of the band and recorded two albums - “Rough and Ready” (1971) and “The Jeff Beck Group” (1972). Beck again dissolved the group and formed a power trio with bassist Tim Bogert and drummer Carmine Appice, which released “Beck, Bogert and Appice” (1973).

Veering away from hard rock, Beck created two landmark two jazz-fusion albums - “Blow By Blow” (1975) and “Wired” (1976). The all-instrumental albums shattered people’s preconceptions of what a rock guitarist was supposed to sound like. were a critical and popular success and remain two of the top-selling guitar instrumental albums of all time. The live album, “Jeff Beck with the Jan Hammer Group – Live” followed in 1977.

Music may have been one of Beck’s earliest passions but it has always shared space with a love of hot rods that began as soon as he could see over the dashboard. After the success “Blow By Blow” and “Wired,” Beck began devoting more time to his fleet of hot rods. “I like the studio because it’s delicate; you’re working for sound. I like the garage because chopping up lumps of steel is the exact opposite of delicate,” explains Beck. “The garage is a more dangerous place though. I’ve never almost been crushed by a guitar, but I can’t say the same about one of my Corvettes.”

Beck returned in 1980 with “There and Back,” but he wouldn’t be heard from again until 1985’s “Flash,” which earned him the Best Rock Instrumental Grammy- his first - for the song “Escape.” Beck re-emerged from semi-retirement in 1989 with “Jeff Beck’s Guitar Shop with Terry Bozzio and Tony Hymas.” The album earned him his second Grammy for Best Rock Instrumental. After a co-headlining tour with Stevie Ray Vaughan, Beck gave retirement another try, but it didn’t last.

Beck returned to the studio in 1993 backed by the Big Town Playboys to record “Crazy Legs,” a tribute to seminal rockabilly artist Gene Vincent and his guitarist Cliff Gallup. Six years passed before the release of “Who Else!” (1999) but the album opened a relative floodgate of music by Beck standards. It only took two years before “You Had It Coming,” (2001), which earned Beck his third Grammy for Best Rock Instrumental for the song “Dirty Mind.”

To support his latest album “Jeff”, Beck returned to the road in the summer of 2003 on a coast-to-coast tour with blues legend B.B. King on the 12th Annual B.B. King Music Festival. An official bootleg “Live at B.B. King Blues Club” was recorded in the New York club in September 2003, and released for online retail only at www.jeffbeckmusic.com.

In the summer of 2004 Jeff Beck undertook his first UK tour since 1990. Fresh from the success of picking up his fourth Grammy award (for “Plan B” from the album “Jeff”), the ground-breaking guitarist delivered a set that reflected the eclectic musical mix that is his trademark. His shows at the Royal Albert Hall in London featured guests including Ronnie Wood, Imogen Heap and Nancy Sorrell.

Later that year, Jeff performed a tribute to Bob Marley accompanied by British singer Beverly Knight at the UK Music Hall of Fame awards. In 2005, he appeared at the Brian Wilson MusiCares tribute in Los Angeles, as well as closing the show at Patti Smith’s Meltdown Festival in London before heading out on a sell-out tour of Japan. He also contributed to albums by Cyndi Lauper and Imogen Heap, and performed on a very special track with vocals by Sam Cooke for the “Les Paul & Friends” compilation album. Jeff’s albums “Beck-Ola” and “Truth” were remastered and re-issued in 2004/2005 by EMI complete with bonus tracks, with “Truth” picking up an award for best re-issue at the 2005 Classic Rock awards.

Jeff kicked off a string of sold-out West Coast USA dates in Spring 2006 with a headline slot at Fender’s 60th Anniversary show in Tempe, Arizona. The shows generated rave reviews by fans and critics alike. Summer shows in Europe and two nights at the Udo Music Festival in Japan followed. In September 2006, Jeff returned to the USA for a further seventeen shows. An official bootleg CD, simply titled “Official Bootleg ‘USA 06” which was part of the merchandise at those shows was subsequently released in February 2007 via Jeff’s website after management were bombarded with requests from people desperate to get their hands on it.

As a warm-up to performing at Eric Clapton's Crossroads Festival in Chicago (July 2007), Jeff undertook a short tour of Europe including a headline slot at Montreux Jazz Festival and his favourite venue Les Nuits De La Guitare in Corsica.

New ground was broken by a week's residency at Ronnie Scott's Jazz Club featuring the 2007 line-up of Vinnie Colaiuta, Jason Rebello and young bassist Tal Wilkenfeld. They were joined on the run by the likes of Joss Stone, Imogen Heap, old mates The Big Town Playboys and another long time pal, Eric Clapton. The phenomenal performances were recorded in high definition for DVD and Blu-Ray (a first ever for Jeff) entitled ‘Jeff Beck: Performing This Week…Live At Ronnie Scott’s’, which is to be released in March 2009.

In November 2008 Jeff renewed his friendship with Harvey Goldsmith at the Classic Rock Awards where both were being presented with awards, and in December 2008 Jeff asked Harvey to manage him.

In January 2009 Jeff embarked on a tour of Australia and New Zealand, the first there for over thirty years, where he received rave reviews with a lineup consisting of Jeff, Tal Wilkenfeld, Vinnie Colaiuta and David Sancious. This was followed by a sellout tour of Japan climaxing with two shows with his friend Eric Clapton and his band.

In April 2009 Jeff will be inducted into the Rock And Roll Hall of Fame in his own right.
This will be followed by a tour in USA with Jason Rebello back on keyboards.